There’s also now a new dither plug-in from processing specialists Izotope for when you are bit rate converting during export. In fact it’s now far easier to find and load plug-ins than it was before, which is great news. There’s also a much improved plug-in setup system, providing advanced options for managing master lists of plug-ins, sets, and categories. The way plug-ins are managed has changed, with a new plug-in chain window for easily setting up chains, which is much quicker to work with than before. There are some new plug-ins too, including Voxengo’s CurveEQ, an advanced EQ module with spectrum matching that allows you to take EQ “prints”, a new Tube Compressor and Steinberg’s new Brickwall Limiter for squeezing maximum gain out of your signal without clipping.
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#Wavelab 8 mac tv#
For anyone working in broadcast media, be it TV, film or radio, this is welcome news since it means you can ensure your output will meet the strict standards of TV or radio stations and sound as good as it possibly can. You can then flip between these easily.Īnother crucial part of mastering is analysis and loudness monitoring, and WaveLab 8 now has EBU-R128 compliant loudness metering, a new dedicated loudness graph and updated plug-ins to account for these new standards. The new VST Audio Connections window makes it a breeze to set up multiple speaker configurations.
![wavelab 8 mac wavelab 8 mac](https://i0.wp.com/vstfine.com/wp-content/uploads/2021/05/wavelab-pro-screenshot-01.png)
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So once set up, you can try out multiple configurations and audition your master on them without messing about with your hardware at all. WaveLab 8 supports up to eight speaker setups which can be easily configured in the new VST Audio Connections window, with individual gain controls for each one and up to four-way comparison of audio files with no latency. Usually this means burning a CD and playing it on various systems, or wiring up multiple sets of speakers in a studio. The workings of wave editors may be familiar to many people, so let’s look instead at what’s new in WaveLab 8.ĭuring mastering, auditioning your sound on different speakers is absolutely vital, to ensure that the end result sounds as good as it can on as wide a range of speakers as it can. Files can be manipulated in almost any way conceivable, and there’s support for a huge array of import and export formats, batch processing, the ability to export podcasts and even upload directly to SoundCloud. Once you have loaded one or more audio files into Wavelab, or indeed recorded them directly in, you have a wealth of options available to you as regards editing, processing and analysis. There’s a lot you can do with windows, including telling WaveLab where to live in the context of your computer’s screen. It won’t bother everyone of course and it’s not a deal-breaker, but for a company that is so good at user interfaces (as a quick glance at Cubase will show), it just seems a shame that WaveLab feels a bit clunky.
#Wavelab 8 mac code#
This is a result of WaveLab's history as a Windows application and the difficulty of completely rewriting legacy code for a new platform.
![wavelab 8 mac wavelab 8 mac](https://i1.wp.com/vstserial.com/wp-content/uploads/2021/05/download-4.jpg)
The graphical feel is still very Windows-centric, though this can be changed by switching the look to the “Mac OS” option. The basic approach of the app is broadly similar, and will be familiar to anyone who has used it before. Before we get to those however, a quick look at what’s not changed. WaveLab 8 builds on the already excellent version 7 and adds many of the tools that Cubase 7 or Nuendo 6 users might recognize as having been new in their most recent updates. It’s far more than just a wave editor of course, offering advanced audio analysis and metering as well as multitracking and audio “montage”, a feature particularly well suited to creating podcasts or radio broadcasts.
#Wavelab 8 mac software#
This wave editing and mastering application existed for much of its life only on the PC but at version 6 was ported to the Mac, bringing the much-loved software to Apple users, some of whom had kept a PC on hand simply to run it. Steinberg is perhaps best known for Cubase, its flagship DAW, but has also for many years been making WaveLab.